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- Autorius: Bryony Dixon
- Leidėjas: Bloomsbury Academic
- Metai: 2023
- Puslapiai: 192
- ISBN-10: 1911239619
- ISBN-13: 9781911239611
- Formatas: 16.5 x 21.3 x 1.4 cm, minkšti viršeliai
- Kalba: Anglų
- Extra -25 % nuolaida šiai knygai su kodu: ENG25
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Aprašymas
In this vivid and accessible new account of the dawn of film in Britain, internationally respected film historian and curator Bryony Dixon introduces us to Britain's first cinematic pioneers - an eclectic mix of chemists, engineers, photography enthusiasts, fairground showmen and magicians - who in a few short years built a vibrant new industry. As she chronicles the emergence of the first embryonic film forms and genres, she reveals often surprising innovations, from cutting-edge science to ingeniously witty tricks and comedies, with filmmakers reflecting existing entertainment forms as well as advancing editing and cinematography in ways that shaped the art of film for many decades after.
Dixon offers fresh insights by focusing on the films themselves - many of them only recently available to view - while building on the work of generations of scholars. In the process, Dixon makes a compelling case for the British filmmakers of the era as inventive and creative figures, every bit as influential as their more celebrated contemporaries in France and the US.
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- Autorius: Bryony Dixon
- Leidėjas: Bloomsbury Academic
- Metai: 2023
- Puslapiai: 192
- ISBN-10: 1911239619
- ISBN-13: 9781911239611
- Formatas: 16.5 x 21.3 x 1.4 cm, minkšti viršeliai
- Kalba: Anglų Anglų
In this vivid and accessible new account of the dawn of film in Britain, internationally respected film historian and curator Bryony Dixon introduces us to Britain's first cinematic pioneers - an eclectic mix of chemists, engineers, photography enthusiasts, fairground showmen and magicians - who in a few short years built a vibrant new industry. As she chronicles the emergence of the first embryonic film forms and genres, she reveals often surprising innovations, from cutting-edge science to ingeniously witty tricks and comedies, with filmmakers reflecting existing entertainment forms as well as advancing editing and cinematography in ways that shaped the art of film for many decades after.
Dixon offers fresh insights by focusing on the films themselves - many of them only recently available to view - while building on the work of generations of scholars. In the process, Dixon makes a compelling case for the British filmmakers of the era as inventive and creative figures, every bit as influential as their more celebrated contemporaries in France and the US.
Atsiliepimai